Home/ Majors directory/Environment Design/History of Art, Architecture and Design, Part 3
History of Art, Architecture and Design, Part 3
Major: Environment Design
Code of subject: 6.022.03.O.015
Credits: 3.50
Department: Design and Architecture Fundamentals
Lecturer: Docent, Candidate of Arts (Ph.D.) Motyl Romana Yaroslavivna
Semester: 3 семестр
Mode of study: денна
Завдання: The study of the discipline involves the formation and development of competencies in students:
Integral competence (INT): The ability to solve complex specialized problems and practical problems in the field of design, or in the learning process, which involves the application of certain theories and methods of design and is characterized by complexity and uncertainty of conditions.
General competences (GC):
GC1.Knowledge and understanding of the subject area and understanding of professional activity.
GC4. Ability to search, process and analyze information from various sources.
GC7. Valuing and respecting diversity and multiculturalism.
GC9. Ability to preserve and enhance cultural, artistic, ecological, moral, scientific values and achievements of society based on an understanding of the history and patterns of development of the subject area, its place in the general system of knowledge about nature and society and in the development of society, technology and technology, to use various types and forms of physical activity for active recreation and healthy lifestyle.
Special (professional, subject) competencies (CS):
CS5. Ability to apply knowledge of the history of Ukrainian and foreign art and design in artistic and design activities.
CS11.Ability to succeed in a professional career, to develop and present visual presentations, a portfolio of own works, to have entrepreneurial skills for design activities.
Learning outcomes: As a result of training, the student should be able to demonstrate the following program learning outcomes:
PLO7. Analyze, stylize, interpret and transform objects to develop artistic and design solutions.
PLO13. To know the achievements of national and world cultural and artistic heritage, to develop eco-culture through design.
PLO14. To use in professional activity manifestations of Ukrainian mentality, historical memory, national self-identification and creative expression; to apply historical creative experience, as well as successful Ukrainian and foreign artistic practices.
PLO15. Understand Ukrainian ethno-cultural traditions in stylistic solutions of design objects, take into account regional features of ethno-design in artistic practices.
PLO18: Reflect morphological, stylistic and color-texture properties of design objects.
Communication (COM):
CОМ1. Ability to communicate, including oral and written communication in Ukrainian and foreign languages (English, German, French, Spanish);
COM2. Ability to use various methods, including modern information technologies, for effective communication at professional and social levels.
Autonomy and responsibility (A and R):
AiR1. Ability to adapt to new situations and make appropriate decisions.
AiR2. Ability to recognize the need for lifelong learning in order to deepen the acquired new professional knowledge.
АіR3. Ability to take responsibility for the work performed, make decisions independently, achieve the goal in compliance with the requirements of professional ethics.
АіR4. Ability to promote the achievements of national and world cultural heritage, as well as to promote patriotism, national self-awareness and ethnic and cultural self-identification.
AiR5. Ability to form environmental awareness and personal culture, apply environmental principles in life and professional activities.
Required prior and related subjects: Previous courses:
• History of Art, Architecture and Design, Part 2;
• History of Art, Architecture and Design, Part 2;
• Fundfmentals of Composition and Shaping, Part 2;
Related and following courses:
• - Decorative and Applied Art;
• History of Art, Architecture and Design, Part 5
• Design of Object-Spatial Environment
• Conceptual Design
Summary of the subject: The course "History of Art, Architecture and Design" is one of the basic in the training of specialists in the specialty "designer". This course aims to provide students with a basic knowledge of the theory of visual arts, starting from the general hierarchy of types and genres, including analytical consideration of tectonic structures of three-dimensional works, as well as decorative and pictorial and plastic composition.
In the process of studying the discipline, the historical stages of the genesis of primitive visual art, its development in the following epochs of the Ancient World and the Middle Ages, up to the Modern Age are covered.
The lecture course includes the most important monuments of world architecture, fine and decorative arts, sculpture, design. Teaching the history of Ukrainian architecture and art is carried out simultaneously with the coverage of historical and artistic processes of world art culture.
Опис: Description of the discipline
Lecture classes
II course
III semester:
1. UKRAINIAN ART OF THE 14 - FIRST HALF OF THE 16 CENTURY.
Icon painting and the emergence of icon painting. Book miniature: the main stylistic differences. Workshop art craft.
2. ART OF REVIVAL IN UKRAINE
SECOND HALF OF THE 16 - FIRST HALF OF THE 17 CENTURY.
UKRAINIAN ARCHITECTURE OF THE 14-18 CENTURIES.
Ukrainian engraving. Monumental painting and sculpture. Decorative and applied arts (fabrics, wood, metal, ceramics).
Ukrainian wooden and stone architecture. Castles and fortresses of Ukraine.
3. ART OF ITALY, FLANDERS AND HOLLAND 17-18 CENTURIES.
General characteristics. Italian architecture and monumental art. Italian sculpture, painting and engraving. Painting Flanders and Holland 17 century: Peter-Paul Rubens, Antonis van Dyck, Frans Hals and others.
4. ART OF FRANCE 17-18 CT.
General characteristics. Architecture and monumental painting. Sculpture. Works of artists Nicolo Poussin, Louis Lenin, Georges de Latour, Charles Lebrun, Antoine Watteau, Francois Boucher, Jean-Baptiste-Chardin and others.
5. ART OF SPAIN 17-18 CENTURIES.
General characteristics. Style features of architecture. Monumental art. Creativity painters Juсепpe Ribera, Francisco Surbaran, Diego Velazquez, Esteban Murillo.
6. ART OF ENGLAND 17-18 CENTURIES.
General characteristics. Style features of architecture. Monumental art. Creativity painters William Hogarth, Joshua Reynolds and Thomas Gainsborough.
7. EUROPEAN FURNITURE OF BAROQUE AND ROCOCO STYLE
General characteristics of the prerequisites for the emergence of the Baroque style in furniture. Italian, Spanish and French Baroque furniture. German, Dutch and English Baroque furniture. Rococo furniture in France, Austria, Germany and England (Chippendale).
8. EUROPEAN BAROQUE AND ROCOCO TABLEWARE
General typology of tableware. Majolica and faience products of the XVII-XVIII centuries. Invention of porcelain in Meissin (1710). European porcelain manufactories of the XVIII century. Glassware. Valuable dishes made of gold and silver. Tin, copper and bronze utensils of XVII-XVIII centuries.
9. UKRAINIAN BAROQUE OF THE 17-18 CENTURIES.
Defining features and periodization of the Ukrainian Baroque. Architecture, painting, sculpture and decorative and applied arts of the Ukrainian Baroque period. Creativity of Ioan Pinzel.
10. FRENCH PAINTING OF THE LATE 18-19 CENTURIES.
General characteristics. Classicism, realism, romanticism. Creativity of David, Engra, Delacroix, Courbet, Barbizon.
11. UKRAINIAN ART OF THE 2ND HALF 19- 1ST HALF 20 CENTURY.
General characteristics of the period. Monumental and easel sculpture. T.Shevchenko and his followers.
12. UKRAINIAN ARCHITECTURE OF THE 2ND HALF 19 - 1ST HALF 20 CENTURY.
General features and sights. Works of G. Helmer, F. Felmer, V. Krychevsky, Z. Gorgolevsky, Yu.
13. ARCHITECTURAL CLASSICISM IN LVIV.
General features and sights.
14. IMPRESSIONISM. POST-IMPRESSIONISM
General characteristics of the period. Impressionists Claude Monet, Pierre-Auguste Renoir, Camille Pissarro, Edgar Degas.
Creativity of post-impressionists Van Gogh, Gauguin, Cezanne and Seurat. Contribution of Auguste Rodin to the development of sculpture.
15. UKRAINIAN PAINTING OF THE LATE 19 - EARLY 20 CENTURY.
Domestic and historical genres. Creativity of Ivan Sokolov, Ivan Trutovsky, Mykola Pimonenko and others.
Assessment methods and criteria: - Formative assessment (30%): oral questioning, presentations at seminars, evaluation of graphic works.
- Summative assessment (70%): examenation, written and oral form.
Критерії оцінювання результатів навчання: General criteria for assessing students' learning achievements
The grade "excellent" is assigned for full and solid knowledge of the material in a given volume, the ability to freely perform practical tasks provided by the curriculum; for knowledge of basic and additional literature; for creativity in understanding and creative use of acquired knowledge and skills.
"Good" is given for the student's demonstration of complete, systematic knowledge of the discipline, successful completion of practical tasks, mastering basic and additional literature, the ability to independently replenish and update knowledge. But there are minor mistakes in the student's answer.
"Satisfactory" is given for the manifestation of knowledge of the basic educational material in the amount sufficient for further study and future professional activity, superficial awareness of the basic and additional literature provided by the curriculum; significant errors in the performance of practical tasks are possible, but
the student is able to eliminate them with the help of the teacher.
"Unsatisfactory" is assigned to a student whose answer during the reproduction of the main program material is superficial, fragmentary, due to the initial ideas about the subject of study. Thus, the grade "unsatisfactory" is assigned to a student who is unable to study or perform professional activities after graduation without repeated training in the program of the relevant discipline.
Порядок та критерії виставляння балів та оцінок: 100-88 points - ("excellent") is assigned for a high level of knowledge (some inaccuracies are allowed) of the component's educational material contained in the main and additional recommended literature sources, the ability to analyze the phenomena studied in their interconnection and development, clearly, concisely, logically, consistently answer the questions posed, the ability to apply theoretical provisions in solving practical problems; 87-71 points - ("good") is assigned for a generally correct understanding of the educational material of the component, including calculations, reasoned answers to the questions posed, which, however, contain certain (insignificant) shortcomings, for the ability to apply theoretical provisions in solving practical problems; 70 - 50 points - ("satisfactory") is assigned for poor knowledge of the educational material of the component, inaccurate or poorly reasoned answers, with a violation of the sequence of presentation, for poor application of theoretical provisions in solving practical problems; 49-26 points - ("not certified" with the possibility of repeating the semester control) is assigned for ignorance of a significant part of the educational material of the component, significant errors in answering questions, inability to apply theoretical provisions in solving practical problems; 25-00 points - ("unsatisfactory" with mandatory re-study) is assigned for ignorance of a significant part of the educational material of the component, significant errors in answering questions, inability to navigate while solving practical problems, ignorance of the basic fundamental provisions.
Recommended books: Bazic:
1. Arkhypenko O. Albom. – K., 1989.
2. Afanasiev Ye. Ukrainske radianske mystetstvo: 1960-1980 rr. – K., 1983.
3. Biriulov Yu. Mystetstvo lvivskoi setsesii. – Lviv, 2005.
4. Bolshaia istorycheskaia entsyklopedyia drevnostei. – Praha, 1980.
5. Vseobshchaia ystoryia arkhytektury. V 12 t. – M., 1968-1973.
6. Vseobshchaia istoriya iskusstv. V 6-ty t. – M., 1960-1965.
7. Holubets O. Mystetstvo KhKh stolittia: ukrainskyi shliakh. – Lviv, 2012.
8. Hombrykh. Ystoryiayskusstv. – M., 1998.
9. Dmytryeva N.A. Kratkaia ystoryia yskusstv. – T.1-4. – M., 1991-1993.
10. Zapasko Ya.P. Ukrainska rukopysna knyha. – Lviv, 1995.
11. Istoriia ukrainskoho mystetstva. V 6-ty t. – K., 1966-1970.
12. Kasiian V., Turchenko Yu. Ukrainska dozhovtneva realistychna hrafika. – K., 1961.
13. Krvavych D. P., Ovsiichuk V. A., Cherepanova S. O. Ukrainske mystetstvo u 3-okh tomakh. – Lviv, 2003-2008.
14. Malaya istoryia iskusstv. – M., 1978.
15. Maslovska L. Oleksandr Arkhypenko. – K., 1989.
16. Motyl R.Ia. Oboronna arkhitektura Ukrainy: metod. vkazivky do praktychnykh zavdan z dystsypliny «Istoriia mystetstva ta arkhitektury» dlia studentiv bazovoho napriamu 6.0202 «Mystetstvo» spetsialnostei 6.020207 «Dyzain» ta 6.02020601 «Restavratsiia tvoriv mystetstva» / uklad. R.Ia. Motyl – Lviv: Vydavnytstvo Lviv politekhnik, 2013.
17. Ovsiichuk V., Krvavych D. Opovid pro ikonu. – Lviv, 2000.
18. Ovsiichuk V. Oleksa Novakivskyi. – Lviv, 2003.
19. Ohiievska I. Mykola Pymonenko. – K., 1983.
20. Ostrovskyi H. Oleksa Novakivskyi. – K., 1973
21. Selivachov M. Leksykon ukrainskoi ornamentyky. – K., 2009.
22. Stepovyk D. Istoriia ukrainskoi ikony Kh-KhKh stolit. – K., 1996.
23. Khodzh A.N. Istoriia mystetstva / A.N.Khodzh; [per. z anhl.] – Kharkiv, 2012.
24. Danylenko V. Ya. Osnovy dyzainu:pidruchnyk / V.Ia . Danylenko . - Kh .: KhDADM , 2003. - 320 s.: 664 il.
25. Lavrentev A. N. Ystoryia dyzaina. Ucheb. posobye dlia vuzov. — M.: hardaryky, 2007.
26. Koveshnykova N. A. Dyzain: ystoryia y teoryia. Yzdatelstvo: omeha-l, hruppakompanyi, 2007.
27. Piter Fill, SharlotaFill. Istoriia dyzainu (The Story of Design), per. Serhii Bavyn, 2019, 512 s., ISBN 978-5389-17431
28. Shumeha S.S. Dyzain. Istoriia zarodzhennia ta rozvytku dyzainu. Istoriia dyzainu mebliv ta interiera: Navchalnyi posibnyk. - K.: Tsentr navchalnoi literatury, 2004. - 300 s.
Auxiliary:
1. Beletskyi P. Heorhyi Narbut. – L., 1985.
2. Viunyk A. Osyp Kurylas. – K., 1963.
3. Viunyk A. S. Hebus-Baranetska. – K., 1968.
4. Hordynskyi S. Ukrainska ikona 17 – 18 st. – Filadelfiia, 1973.
5. Zhyshkovych V. Plastyka Rusi-Ukrainy 10 - persh. pol. 14 st. – Lviv, 1999.
6. 16. Zakharchuk-Chuhai R. Narodne dekoratyvne mystetstvo Yavorivshchyny. – K., 1979.
7. Kes D. Styly mebely. – Budapesht, 1981.
8. Liebediev V. Oksana Pavlenko. – K., 1986.
9. Maichyk-Bidniak M. Mykola Bidniak. – Lviv, 1992.
10. Nimenko A. Kavaleridze-skulptor. – K., 1967.
11. Noha O. Ivan Levynskyi. – Lviv, 1993.
12. Tkachenko M. Vitold Manastyrskyi. – K., 1977.
13. Tkachenko M. Teofil Kopystynskyi. – K., 1972.
14. Fedoruk O. Kornylo Ustyianovych. – K., 1992.
15. Fihol M. Mystetstvo Starodavnoho Halycha. – K., 1997.
16. Chlenova L. Oleksandr Murashko. – K., 1980.
17. Chlenova L. Fedir Krychevskyi. – K., 1980.
18. Makarova V. Dyzain prymishchen. Styli interieru na prykladakh
19. Dzhon Paid. Dyzain interieriv. 6000 rokivistorii – Dzhon Pail
20. Hatsura H., Meblevistyli
21. Brailovska. L. V., Dyzain interieru u skhidnomustyli: Yaponiia, Kytai, Indiia, Yehypet., Vyd-vo Feniks, 2004 rik, 384 s., ISBN 5-222-04335-5
22. Raily N. Elementy dizaina. Razvitie dizaina y elementov stylia ot Renessansa do Postmodernyzma. Per. s anhl. – M.: OOO “Mahma”, 2013. – 544 s., il. ISBN 978-5-93428-073-5
23. Massey, Anne, InteriorDesignofthe 20th Century, c 1990 and 2001,
Thames & Hudson Ltd, London .
24. Heskett, J. IndustrialDesign. London, 2001
25. Heskett, J. InteriorlDesign. London, 2001
26. Susan J. Slotkis, Foundation of Interior Design. Laurence King Publishing Ltd., London, 2006
27. Josef Hoffmann: Interiors 1902-1913., Edited by Christian Witt-Dorring. 224 pages with 244 illustrations, 65 in color.
28. Fiona Leslie. Designs for 20th-century Interiors. V&A Publications 2000. ISBN 1851773215.
29. Ivan Margolius. Automobiles by Architects. Wiley-Academy. 2000. ISBN: 047160786X
Information resources:
1.Elektronnyi navchalno-metodychnyi kompleks «Istoriia mystetstva ta arkhitektury
Moodle2.1+;http://vns.lp.edu.ua/course/view.php?id=12524
2.Obrazotvorche mystetstvo
https://www.youtube.com/user/AlexNikx/videos?view=0&sort=da&flow=grid
3.Svitovaistoriia mystetstvahttp://www.all-art.org/artists-a.html,http://www.allart.org/history663_miscellanea.html
4. Istoriia. Zhurnal. Arzamas.https://arzamas.academy/courses
5.Mystetski kursy na https://www.coursera.org/
6. http://www.designboom.com/history.html
7. http://www.GreatBuildings.com/buildings/
8. http://www.architectureweek.com/2001/0620/design.html
Navchalno-metodychnezabezpechennia
1. Arkhitekturni zamalovky. Metodychni vkazivky do vykonannia kursovoi roboty
z kursu «Istoriia ukrainskoi arkhitektury» dlia studentiv bazovoho napriamu
6.060102 «Arkhitektura» / Ukl. I. A. Dyda, H. P. Petryshyn, T. Ye. Kazantseva.
Vydavnytstvo Lvivskoi politekhniky, 2011. – 88s.
2.Motyl R.Ya. Oboronna arkhitektura Ukrainy: metod. vkazivky do praktychnykh
zavdan z dystsypliny «Istoriia mystetstva ta arkhitektury» dlia studentiv
bazovoho napriamu 6.0202 «Mystetstvo» spetsialnostei 6.020207 «Dyzain» ta 6.02020601 «Restavratsiia tvoriv mystetstva» / uklad. R.Ia. Motyl – Lviv: Vydavnytstvo Lviv politekhnik, 2013.
3.Elektronnyi navchalno-metodychnyi kompleks «Istoriia mystetstva ta
arkhitektury Moodle2.1+;http://vns.lp.edu.ua/course/view.php?id=12524
-Reference lecture notes;
-Training manuals;
-Eectronic presentations of lectures;
-Work training program
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